Showing posts with label vinyl. Show all posts
Showing posts with label vinyl. Show all posts

Tuesday, September 3, 2013

Hard-Rock Rap Rareties: Impacting 90's Street Records

Whats Up Yaaaa'll Its your friendly neighborhood "MP3 Web-slinger" And This edition of Oldschool Archives we are focusing on some cutting edge 90's Hardcore street rap records. real gritty Hip Hop from the streets. Music straight from our acclaimed "Boom-bap" era. If you havent glanced below, You might already assume what is going to be included in this post, however You might be surprised. Ive included some really dope 90's joints that yall will love and remember. As always, my intention is to bring forth those rare and sought after gems. The ones not always in the forefront. Understand that it was a crucial and wonderful time for Hip Hop in the early and mid 90's. Somewhere along the lines we lost that flare in the late 90's, I personally don't see the culture of Hip Hop gaining that traction back. The impact of the records, the artists and the flava that went into the recordings. Not to mention the industry, was an entirely different kind of animal back then. One that we certainly miss in many aspects. This is like our 50's and 60's Golden-era style of Jazz, funk and soul. In it, that you can hear that 90's Vintage sound and flava, even a great emulation, does not catch the groove of these joints. The vocals, production and recording is Classic. But Our Real DJ's and enthusiast keep this era alive everyday. This is that "stair-case rap", That street corner rap". So journey with us As we celebrate "HARD-ROCK RAP". If you cant get enough of this, dont worry. I will be following up another entry or two with some more, so take these for now. I have twelve bangers here. Peep for yourself and as always, You can download each track individually or click that magic "RECORD BIN" link Below to be transported to the entire selection. As always all tracks are the best quality that I could possibly find and are straight from my personal collection to yours, so you know I'm not playin'. I never skimp my DJ'and music fans and I never will. This is the hardwork of Web blogging and sharing, but I do this straight for you guys out there. The Fans of DJ Leggs & Oldschool Archives. Thanks for keeping the Boom-bap with me. Peace & Blessings. Enjoy

 

Included in this edition:

Organized Confusion - Let's Organize
N-TYCE - Hush Hush Tip
Naughty By Ntaure - Yoke The Joker
Lord Finesse & Big L - Yes You May (Remix)
KMD - What A Nigga Know>
Ice Cube - Check Yo Self (Rare Wicked Mix)
Chi-Ali - Fabulous Chi
Big Noyd - Usual Suspect
Above The Law - Murder Rap
Cru Ft. Slick Rick - Just Another Case (Remix)

HARD-ROCK RAP RARETIES: Record Bin (All 12 Recods)

"Dont Believe me how rough and raw these Records are? Take a sneak peek listen of 2 before you download (Also included in the bin)"


Thursday, November 1, 2012

Rare Novelty Rap Records 1980's

Right out of the gate, the second Hip Hop records began being manufactured in 1979, there were already people creating "Novelty" songs with this new catchy music culture rushing in. Many of which were not Actually MC's at all maybe R&B Or Disco Artists Maybe soul singers. Its funny how in Rap music today seems like every damn thing is a novelty record with no real concepts just trendy talk, styles and Rhetoric. In plain English "There are mostly nothing but clowns in today's music" however of course with the exceptions of the great veterans still making music and a handful of really dope upstarts we still do get great music. I don't want you guy's to think I am totally biased. I am A DJ And I spin all the new stuff as well so I enjoy many of the songs coming out today. All in all, Hip Hop music though; gaining its debut's under small independent & subsidiary labels of the early 80's Record exec's really did not know how to take it. Was the music going to hit, was it going to be some small quick fading Genres like Punk Rock Or Disco, Should we really take a chance in these guy's and their music. This is what The record companies and managers thought. But they did see there was a catch to a great degree because it captivated the youth and young adults who happened to obviously party and buy music. So any chance to capture popularity and appeal to the greater consumer even with the use of Novelties, hey they went for it. But I want to point out the actual meaning of a "Novelty". A Novelty song is a song that may have or may not have a serious appeal or may not be considered to be taken serious enough, such songs usually have an often silly theme or are expected to have a fast in and out popularity length. I am in no way saying these following records aren't dope Hip Hop records, but What I am saying is maybe they are by Unorthodox artists or may even have silly themes and or followed a trending theme, not taking away from their legendary stance in Hip Hop music history whatsoever.

So this post is simply about Novelty records and not the main stream serious Electro and Hip Hop cuts we have come to know and Love. I have great respect for these records and actually listen to them very often and laugh about the creativity. That is why there is an article here on OSA. Most of these are going to be by artist many people have not heard of unless your DJ Game; is really up on Underground Hip Hop music of yesteryear or if you are a pretty serious Music fan who has done their research & collects all the cuts from back then. I would like to call the attention to a few joints I picked out that are rather on the back burner side. I'm going to hit Y'all with a few records that you may of or may of never heard before. I mean, you know very well what Old School Archives is about with the rare stuff and if you have any great Novelties you think might fit the genre of this post, drop me your Mp3's in my drop box. The widget is on the right hand side.

Here is the linx for all the records in this entire editions crate, But I have also included each song below with some brief commentary about some of them. Enjoy

Entire Download Crate: "Rare Novelty Rap records 1980s - Crate#1

(Individual Songs Included) 

Rappin Duke - The Duke Is Back
"The return of the dukes, Da-Ha-Da-Ha only part two if you will, pretty cool and very funny record. Shawn Brown does his Usual Ponderosa rap slinging down MC's everywhere. 

"One of the many Roxanne Answer & Return records this one actually featured her brothers getting involved and going at many people Mainly UTFO, and they flipped & rocked the record. There were more than 50 Roxanne Records floating around back then, so it's easy that this one may of  gone under the radar behind the main joints directly between Roxanne, UTFO, Sparky D, J.J. Fad and those people. Pretty interesting if you never heard it"

"Actually whats funny about this record is, it has a lot to do with the "Bad Boys" & K Love record" If you listen in the beginning of the Bad Boys Joint, It Features A Brief statement by Betty Boo (Actually supposed to be a rapping Betty Boop). I noticed that immediately and, this record was like a sequel/answer back song. Right away when I first heard this cut a few years back I knew it had something to do with the corresponding song, I remembered the distinguishable voice of Betty Boo. It features that signature Inspector gadget melody only differently revamped and also the similar sound effects of it's Bad Boy Counter part. This record dropped afterwards. Listen to the both of them and you will understand what I'm saying"

Futura 2000 & The Clash - The Escapades Of Futura 2000 "Rap Record Attempted By Graff Legend Futura 2000 & Rock Band The Clash, It has a more disco rap feel to it, I'm Not personally crazy about this song but again Novelty purposes". 

Mr. Sweety G - We Want To Get Down
Kind of like a rhythm and blues disco rap kind of record. Very obscure, rare but Pretty cool though.

"Could this very well of been Roxanne's Little sister on the Mic? yet another Novelty joint". 

The Pack Man - I'm The Pack Man
"Pretty Cool Electro Cut inspired by none other than the Arcade hit"


"Not even a rap record however it was a little known Electro R&B Cut that was pretty dope in my Opinion. May of not been a big record at all but I'm sure it had it's placement at parties and proms and other events. Came out around 82".


"Novelty Cult Electro Joint".


**Bonus Cuts**

For the bonus, I am including some extremely interesting cuts and these are by Musical legends who weren't even Rappers at all but who put their two sense into the Hip Hop world. The Dr. John's Jet Set had a video to it, around 1984 or 85 and Featured the Pianist/singer actually Rapping and The Other is By "Rufus Thomas" that's Right Mr. Funky Chicken himself. Now you wouldn't expect a rap record from an older soul funk singer, but in 84 that came as a surprise. Rufus actually did a great Job, and I have to laugh because he actually brought his A-Game, clowning many of the well established MC's In the game, but of course for fun..He proves that he can do this rap thing, and even refers to people not rapping just making noise. This one chimes in as "Rappin Rufus". Give these records aa liste nd you will have no choice but to bop and laugh. Its Hip Hop


Gary Bird & The G.B. Experience - The Crown Gary Bird was A Radio DJ personality with which he decided to randomly try this Rap thing out and put together a rather pretty good Disco Rap Record in 1983 I must say. Featuring Smooth Disco Style singing lyrics By The Gary Bird Experience's "Crystal Blake" & none other than Stevie Wonder sharing just a single verse (Stevie Wonder released the record on his label here in The US, and It was released On Motown In The UK) and Birds rhymes laid on the forefront. Gary Bird was known for actually rhyming his words on the radio air live.

"This is More 1970's Uprise Positive, Conscious Get up and do something kind of break beat by an inner city band..So this breaks my whole 80's mantra here, However this features Rhymes therefore it is a rap record by technical aspects. It dropped around 1974, Pre-Hip Hop Music espeically on wax But Its Hip Hop if that makes sense" extra goodie enjoy it. 



Friday, October 12, 2012

The Big Secret Behind Why DJs Dont Share Records

Rare Records: "Whats The Secrets For"?:  Well For years now it has been one of the Hip Hop DJ's most secret doctrines of practice. Not telling what, where or how you obtained a record is the most sacred of usery mechanisms on keeping your record collections exclusive; not to mention being the man with the new/obscure sounds, many of which are always sort after. Besides all this It is one of the oldest No No's in the Hip Hop DJ Community. This ranges back to the early 70's when DJ's were merely only mixing record to record (before cutting and scratching) in what is known as Kool Hercs "Merry Go Round" ( More widely known as Back spinning) Then a few years later scratching & cutting helped further the craft of DJ's set the tone all varied across today's wide style of  DJ Genres & and applying of on Mixshow/radio, Mixtape or Party rocking tunes. Listen to this: I was at a Graffiti Hall of fame Jam back in 2007 at 106 & Park when I heard a good friend of mines by the name of "DJ ROCKIN ROB" Play this weird crazy Funk record that I immediately Bugged out about, it was nothing I ever heard before...It just had the words "Boo..Boo..Boo..Baah..Baahh..Bee...Beee...Bee..Bee..Bee" Sampled throughout it with an infectious 70's soul funk beat, so simple yet so dope.

I immediately asked Grand Master Caz who was standing right beside me "Yo Caz man what is the name of this record" He looked at me with that Big Casanova Grin and said "Maannn I dont even know, ask The DJ". Now whether Caz actually knew or not. I was innocently Breaking the rule here, by asking about a rare record that probably not many DJ's have or had at the time (or patrons there heard for that matter). At this time I was already of course DJ'ing out heavily myself I wasn't a novice so I very well knew about the code of conduct, But it wasn't going to stop me from aleast taking a shot and asking lol. Matter fact, get this; I used to ask a very well known mentor of mines back in the 90's the names of break beats and Oldschool Hip Hop records and he knew them all and would tell me gladly, but he wasn't A DJ though. That was the difference; Sharing comes with the state of mind for which application(s) it applies to. For example If you want a Mcdonalds Recipe for something to improve or mimmick a product of your own and you are a burger King agent, you aren't going to obtain it by going to Mcdonalds representatives. Pepsi never shares it's secrets with Coke. This however does not stop companies and competitors from doing research and going around patents or loop holes now does it. With the advent of the world wide web, it has made it so much easier to find what your looking for, for example if you know the portions of a song, a chorus of an artist) who's in that song etc. You can simply just google it and find the record. I call this 'Digital digging" And I have mastered that since 2005 and on because many DJ's come to me for what are some of the easiest to obtain cuts even today. I sometimes think in my head "Wow hes looking for this, its pretty easy to find". Makes me feel good; Needless to say I bless them with a "Digital slab of vinyl". But Now You easily can you tube a song and we also now have the revolutionary "Shazam" App for our phones which allows us to let out smart phones hear parts of a song and Identify the album, artists and song conveniently. I've done this a bunch of times being out at events or while driving and listening to XM Radio, it gives you the song and artist right on the XM Screen but The phone will easily keep the info for me for later (as we all know) So we can go download it or even dig for it later. It is a very convenient tool in the new age I admit

Back to ROCKIN ROB, When I had asked him the name of the record, He replied "Umm Im not sure its on a compilation Vinyl with no name. I think its called the Boo Boo song" Lol My Man Rob, what these guys kind of did in a way (intentional or not) was teaching me to find this record. The unintentional part was not breaking that code of silence (whether he knew it or not) that Any Good DJ Has come to practice since the dawn Of Urban DJ/Cultural history. I toiled with the title online trying to find it on vinyl for weeks (This was way before Shazam or Before I was really as good at digital digging as I am now). I used to order Vinyl on this website called "Gemm.com" Or Ebay Which somehow eventually I got Rob through repeated asking to get me the title and I bought two copies from Gemm.com. Many of y'all are familiar with Gemm. Finally The name of the Record was "Dirty Fingered Bboys - The King Is Here" Which was an unlikely Title to me because it had no singing, chorus lines etc, so I would of never got this one. Till this day, it was probably one of the trickiest records to find. Sometimes songs trick us when looking for titles we have no clue of and is something none of us would of ever guessed especially from the sound of the song. My best suggestion is trust your ears, listen to lines, listen to grooves, listen to voices. As nifty as the digital age is you always have to use human intuition too. Way before the technological advances of the internet or any digital means, Imagine what Earlier DJ's went through, or what we all went through for that fact, up until about 10 years ago because this whole thing is still new.

Anyhow Come to find out it wasn't actually a 70's record at all but a more modern band cut that was pressed on 45 only (From what I know) and is A intended to be a Bboy record. The earliest None Record masters Like Bambaataa, Herc, Flash, Kent, Disco King Mario, Theodore etc. Were indeed trendsetting DJ's who would shop at these import stores and find all sorts of weird, rare and eclectic Vinyl that no one paid attention to; many of which were pressed from small little known labels, were available only on albums as fillers or were Imports from European countries and other places. Why do you think the early electronic music became wide spread amongst the Black community? It was Guys Like Bam Finding these Euro albums and singles, "Taste making" & then breaking the music to their crowds who would never otherwise hear such sounds. It has always been the secret of DJ's on where they get their stuff, mainly for competition purposes Because that is "HIP HOP", This code of silence was all derived as an answer to the culture of "Biting" "Mimicking" as an Agent against that. Just like In Bboying, Mcing anything. You wouldn't practice your rhymes in front of a crowd of folks and you certainly would not use your best moves until it is time to battle or kill a circle, not to mention "Teach some one your moves" that was absurd right..I feel that today all DJ's ought to keep a community of sharing records, titles and info where we do not have to compromise this hard rule at the same time. Helping each other out is the way to keep the DJ Community strong and nourishing. I guess if it is a very hard to find rare record many things are worth keeping to yourself.

This is why I personally created this site "Oldschool archives" Because I don't mind sharing. If you take a look at the songs here, I tend to shift toward rareties, or hard to finds especially out of the Digital world (Or in the digital world based on what has been easiest or best for you and your situation). Sometimes songs are easier to find on Vinyl If you straight-out purchase online and then again 9 out of ten times you can dial them up online and get them with no problem all while eating a bowl of corn flakes. I ultimately do respect the DJ Culture from the especially from the 1970's & on up though. And I fully understand the whole aesthetics of how The DJ Culture works mainly with Record collecting, guarding your hard earned collections and not letting the world know your secrets. A DJ Indeed always strives to be the first if not one of the first to premier a record on air or at an event. Many of our popular radio DJ's do it today and have always done it, this has not died only now they mainly recieving the records straight from the artists through email/blogs as opposed to waiting till pressing (Sometimes still recieving them from our early Urban stars, taking a lot longer of course due to the physical means) Now The Bloggers and a slew of websites play the record stores we once used to visit for our musical fixes. Suppliers & indie artists are able to get the music out to the radio and popular blogs quickly Over night. DJ's who premier exclusives and new music through radio and digital means now will almost always use their brand name tags on the record to say; "Look I'm DJ Leggs and I got this record first" The bigger the DJ The easier this is in most cases since they have world wide appeal. In the BX as far as the early Hip Hop generation goes, when you heard something for the first time you knew who made that record bore the airways because you were at the parties and park jams first hand. This was a bit different when Hip Hop culture started to penetrate the US, physical record pools have always been that answer for promo and mainstream material No matter the genre

It is the same as it was for the Hip Hop DJ In 1975 as it is for The DJ In 2012...Only thing is now we live in a digital age where you can find most any music online by simply googeling titles, going to you tube or asking a buddy to email you  a record. Still many DJs arent so affluent with digging. Ive had big name DJ's, Pioneers come to me asking If I had certain sounds, espeically after I do my Mega Email blasts sharing music. So with that Said I err on the side of sharing (for the most part) I think it makes the world go around n any culture, If I have a record and you want it or need it you know what; "here you go brotha take it". However hard lessons in digging for yourself and learning how to go after your own sounds can never be traded in for the true DJ In you, I believe also. Furthermore Using Digital Digging online is great but we all have to go out and physically do things like actually collecting vinyl, finding out history, attending jams and enjoying live music. And the true arts of Vinyl digging should/will never die with the real DJ Community.

Peace & Blessings

Oh and by the way here is that "Dirty Fingered Bboy" Joint "The King Is Here' Listen/download below :)

Download: http://www.hulkshare.com/pbm3p9xzla80
Backup: http://soundcloud.com/leggs401/dirty-fingered-b-boys-the-king